My father’s parents were carpenters. They were also builders partly. They were painters. And several of them were very, active in the theatre and all such nonsense, you know.
On the little money I had collected I lived in Berlin very cheaply, ate very cheaply. And already in 1920 I saved the first salaries I received to go to Munich.
Simultaneous contrast is not just a curious optical phenomenon – it is the very heart of painting.
The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically.
Traditionally art is to create and not to revive. To revive: leave that to the historians, who are looking backward.
I’ve handled colour as a man should behave. You may conclude that I consider ethics and aesthetics as one.
When I came from horizontal vertical straight all old stuff then suddenly I go also again in curved lines. And there I submit to changes in the intensity of my hand leading a tool, you see.
When we are honest – that’s my saying – if we are honest then we will reveal ourselves. But we do not have to make an effort to be individualistic, different from others.
You see, I have in my teaching – I always say I’ve done it for a hundred years and have had thousands of students – I have always spoken against just falling onto your knees for so-called accidents, I mean a result you are not responsible for.
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