We are searching for some kind of harmony between two intangibles: a form which we have not yet designed and a context which we cannot properly describe.
Complexity is one of the great problems in environmental design.
The structure of life I have described in buildings – the structure which I believe to be objective – is deeply and inextricably connected with the human person, and with the innermost nature of human feeling.
Drawings help people to work out intricate relationships between parts.
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